STUDENT POP-UP SHOWS 2012 - 2013
MFA POJECT SPACE AT WCA
5.10.2012
INTRODUCTION, SHOWCASE OF RECENT WORK
'Tectonic Plates', Acrylic, Sand, Resin on Perspex Sheets, 50 x 40 cm each
GALLERY AT WCA
14.12.1212 - 4.1.1213
GALLERY AT WCA
14.12.1212 - 4.1.1213
SPACED OUT
'Spaced Out' and 'Out of Space'
The sense of nothingness or emptiness unites everything.
From the series: 'Breaking Surface and Drifting Apart'
Mixed Media on Canvas, 20 x 20 x 4 cm each
***The curators hanging
The series is separated, with one piece attached to the work of another artist. The pieces are incorrectly hung and not sufficiently lighted, thus the 3-dimensional aspect is extremely diminished.
RUSSELL'S SHOW
07.06.2013
Installation "Tangled or Playing with the Wire ", Iron Wire, 3-dim. Object (floor), 2-dim. Object (wall),
Acrylic, Sand, Pigments, Spray
In connection with Russell’s exhibition, my aim was to test a new sort of montage technique (adopted from film) combining paintings that had a semi-organic connotation and an industrial object – a rusty, iron wire - in a wall installation, with the wire superimposed or twisted around the painting/s. It was a creative gesture to bring a concrete act and intellectual speculation together. Visually enigmatic, the work resisted an effort to grasp its meaning; it is notwithstanding a tangible experience loaded with energies and tensions. In the end (for this exhibition), the wire went around a 3-dim object on the floor – which was an option to explore the same idea in a more conventional way.
“Because the limit of organic form (the passive principle of being) is Nature. The limit of rational form (the active principle of production) is Industry. At the intersection of Nature and Industry stands Art.“ S. Eisenstein
In connection with Russell’s exhibition, my aim was to test a new sort of montage technique (adopted from film) combining paintings that had a semi-organic connotation and an industrial object – a rusty, iron wire - in a wall installation, with the wire superimposed or twisted around the painting/s. It was a creative gesture to bring a concrete act and intellectual speculation together. Visually enigmatic, the work resisted an effort to grasp its meaning; it is notwithstanding a tangible experience loaded with energies and tensions. In the end (for this exhibition), the wire went around a 3-dim object on the floor – which was an option to explore the same idea in a more conventional way.
“Because the limit of organic form (the passive principle of being) is Nature. The limit of rational form (the active principle of production) is Industry. At the intersection of Nature and Industry stands Art.“ S. Eisenstein
CHELSEA COLLEGE OF ART
31.10.2013
31.10.2013
MA FINE ART INTRO SHOW
Stills from "Play with Wire", video with sound, 1'51'' (loop)