REFERENCES / BIBLIOGRAPHY
Basic T.S. Eliot: The Wasteland, 1922 Allen Ginsberg: Howl, 1958 Robert Smithson: The Collected Writings, ed by Jack Flam, Univ. of California Press, 1996 Haiku: Matsuo, Bashō: On Love and Barley: Haiku of Basho. trans. Lucien Stryk. Penguin Classic , 1985 Abstract Expressionism David Anfam, ‘Abstract Expressionism’, New York: Thames & Hudson, 1990 William C. Seitz, ‘Abstract Expressionism Painting in America’, Cambridge, Mass: Harvard University Press, 1983 Arte Povera Germano Celant: ‘Concept Art, Minimal, Arte Povera, Land Art’, Stuttgart: Ed. Cantz, 1990 ‘Art Povera’, New York: Praeger, 1969 ‘Arte Povera. Manifeste, Statements', Kritiken’, ed. by Nike Bätzner, Verlag der Kunst, Dresden, Basel, 1995 Giovanni Lista: Arte Povera, Florence, 2006 Aerial Photography Bernhard Edmaier: ‘GeoArt’, BLV Verlagsgesellschaft München 1998; 'Earthsong', Phaidon Press, New York, 2004 Richard Woldendorp: ‘Australia. Journey through a Landscape’, Sandpiper Press, Perth 1992; ‘Australia. The Untamed Land’, Reader’s Digest, Surry Hills, 1995 Boyle Family Patrick Elliot, Bill Hare, Andrew Wilson: ‘Boyle Family’; National Galleries of Scotland, Edinburgh, 2003 Diane Saez: ‘Representation Beyond Image’, Art Journal, 1990 Informel ‘Katalog der Ausstellung "Informel"’, Berlin 1973 ‘Dokumente zum dt. Informel’, Bonn 1976 ‘Abstrakte Kunst nach 1945. Der Aufbruch im "Informel "’, Kat., Saarbrücken 1982 G.-W. Koeltsch: ‘Dt. Informel - Informel-Symposium’, Berlin 1986 Anselm Kiefer Daniel Arasse: ‘Anselm Kiefer’, Thames & Hudson Ltd., London, New York, 2001 Sabine Schütz: ‘Anselm Kiefer: Geschichte als Material, Arbeiten 1969-1983’, DuMont Verlag, Cologne, 1999 Land Art ‘Song of the Earth’. European Artists and the Landscape’, Thames & Hudson, London 2002 Richard Long: ‘Walking in Circles’, New York: George Brazillers, 1991 Robert Hobbs: ‘Robert Smithson: Sculpture’ Ithaca: Cornell University Press, 1981 Jackson Pollock Kirk Varnedoe: ‘Jackson Pollock’, Cat.,Tate Gallery Publishing, London 1999 Deborah Solomon: ‘Jackson Pollock: A Biography’, New York: Simon and Schuster, 1987 Emil Schumacher ‘Emil Schumacher, Retrospective / Rétrospective’, Galerie nationale du Jeu de Paume, Paris; Haus der Kunst München, 1998 Manfred de la Motte, ‘Emil Schumacher, Informel – oder die Erfindung der Form’, Kunst Köln, Köln /Cologne, 1991 Richard Serra Cooke, Lynne, “Thinking on your feet: Richard Serra’s Sculptures in Landscape” in Richard Serra Sculpture: Forty Years, ed. McShine and Cooke, NY: MoMA; London: Thames and Hudson, 2007 Robert Smithson Ingrid Commandeur and Trudy van Riemsdijk-Zandee: Robert Smithson: Art in Continual Movement. Alauda Publications, Amsterdam 2012 Mary Brogger, Earthwork, Museum of Contemporary Art, Chicago, 2000 Antoni Tàpies ‘Tàpies. Communicaciò sobre el mur’, Cat. Fundació Antoni Tàpies de Barcelona, 1992 Antoni Tàpies, ‘LA pratique de l’art’, Paris: Editions Gallimard, 1974 James Turrell Craig Adcock: James Turrell : the art of light and space, University of California Press, 1990 Daniel Birnbaum, etc. : The Other Horizon. An overview of Turrell's development from 1967 to 2001, Cantz, 1999 General on Art Mallcolm Andrews: Landscape and Western Art, Oxford, 1969 Philip Armstrong, Laura Lisbon, and Stephen Melville. As Painting: Division and Displacement, 2001 Giancarlo Politi: ‘Art and Philosophy’, Milan, 1991 John Berger: Ways of Seeing, London 2008 Cynthia Freeland: ‘Art Theory’, Oxford University Press, 2003 Mark Rothko: ‘The Artist’s Reality. Philosophies of Art’, Yale University Press, New Haven & London 2004 ‘Theories and Documents of Contemporary Art. A Source book of Artists’ Writings’, ed. by Kristine Stilles and Peter Selz, University of California Press, London, 1996 Concept, Theory, Philosophy Roland Barthes, Image, Music , Text,London, 1977 George Bataille: Histoire de l'oeil, 1928; L'anus solaire, 1931; L’Expérience intérieure, 1943; Sur Nietzsche, 1945; La haine de la poésie, 1947; Lascaux, ou, La Naissance de l'art, 1955; Manet, 1955; La Littérature et le mal, 1957; L'impossible, 1962; Le mort, 1967; La Pratique de la joie avant la mort, 1967; Œuvres complètes, 1970-88 (12 vols.); The Absence of Myth, 1994 Jean Baudrillard: L’echange symbolique et la mort, 1976; Simulacra and Simulation, 1981; Fragments, 1995, The Perfect Crime, 1995; The Conspiracy of Art, 2005 Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction, London 1938 Maurice Blanchot: L’arrêt de mort, 1948; Lautréamont et Sade, 1949 ; L’entretien infini, 1969; L’Ecriture du désastre 1980; Les intellectuels en question, 1996 Jacques Derrida: Marges de la philosophie, 1972; La Dissemination, 1972; Positions, 1972; La Verite en peinture, 1979 Gilles Deleuse: Différence et répétition, 1968; with Félix Guattari: Capitalism and Schizophrenia 1972; Francis Bacon: logique de la sensation, 1981 Michel Foucault: Folie et deraison 1961; Le langage a l'infiniti, 1963; The Order of Things: An Archaeology of the Human Sciences. New York: Pantheon,and London: Tavistock, 1970; L'Archeologie du Savoir ,1969; L'Ordre du discours', 1971; Structuralism and Poststructuralism: An Interview with Gerard Raulet. Telos 55 (Spring 1983), 195-211; Ceci n'est pas une pipe, 1973. Martin Heidegger: Sein und Zeit, 1927; Identität und Differenz, 1955-1957; Holzwege (6. durchges. Aufl.) 1980, Der Usrsprung des Kunstwerks (Nachdruck), 2005 Jean-Francois Lyotard: Le Différend, 1983 Fumihiko Maki: An Aesthetic of Fragmentation, 1988 Helpful Secondary Sources: Eve Tavor Bannet: Structuralism and the Logic of Dissent: Barthes, Derrida, Foucault, Lacan. Urbana: University of Illinois Press, 1989 Timothy Clark: Derrida, Heidegger, Blanchot: Sources of Derrida's notion and practice of literature. New York: Cambridge University Press, 1992 Lucien Dällenbach & Nibbrig, Christian Hart: Fragment und Totalität. Frankfurt am Main: Ed. Suhrkampf, 1984 Peter Dews: Logics of Disintegration: Post-structuralist Thought and the Claims of Critical Theory. London and New York: Verso, 1987 Richard Harland: Superstructuralism: The Philosophy of Structuralism and Post-Structuralism London and New York: Routledge, 1988. New Accents series Edith Kurzweil: The Age of Structuralism: Levi-Strauss to Foucault. New York: Columbia University Press, 1980 Allan Megill: Prophets of Extremity: Nietzsche, Heidegger, Foucault, Derrida. Berkeley: University of California Press, 1985 Stephen W. Melville: Philosophy Beside Itself: On Deconstruction and Modernism. Minneapolis: University of Minneapolis Press, 1986 Christopher Norrisr: Deconstruction: Theory and Practice. New York: Methuen, 1982 Giancarlo Politi: ‘Art and Philosophy’, Milan, 1991 FIlm Stan Brakhage, Metaphors on Vision, Film Culture, 1963 Sound John Cage: In A Landscape, 1948, http://www.youtube.com/watch?v=XF1DoVdHM9M John Cage: 4'33'', 1952, http://www.youtube.com/watch?v=JTEFKFiXSx4 John Cage: Silence, Lectures and Writings, New York, 1939 Michel Chion: Audio-Vision, Sound On Screen , Columbia University Press, 1994 Sara Maitland: A Book Of Silence, London 2008 R. Murray Shafer: Soundscape: Our Sonic Environment and the Tuning of the World, London 1999 Salomé Voegelin: Listening To Noise And Silence, Towards A Philosophy Of Sound Art, New York, 2010 Andy Garbi: Desert of the Soul, Album: The Sound of One, 2008 Further bibliography to sound: archive Deserts: wind erosion and deposition, http://www.youtube.com/watch?v=l8q1ss5M7ts |